期刊文献+

当代中国油画作品中女性形象的审美特征及文化内涵 被引量:1

Evolution of Female Images in Contemporary Chinese Oil Paintings
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摘要 中国绘画史上经典的女性形象大多出自于男画家之手,这些形象在处于凝视、消费的客体,是为满足男人的期待和欲望而表现的。当代女性画家不再满足于"被看"的传统身份,按照自身的直觉感受与情感体验,创作出了一批有别于传统男性标准下的女性形象,表现出强烈的自我意识、平等意识,逐渐摆脱了男性文化的意识形态,开始建构自己的话语权。 Most classic female images in the history of China are created by male painters. In the art female images are the objects to be watched and consumed, for the purpose of satisfying the expectations and desires of males. However, the modern females are no longer satisfied with the traditional identity of "being observed", who create a group of female images different from the traditional male standard according to their own intuitive feelings and emotional experiences. Through the analysis on the female images in different periods, this paper shows that the modern females who have much stronger self-consciousness and consciousness of equality, who have gradually got rid of the ideology of masculine culture and started to construct their own painting discourse.
作者 秦艳
出处 《城市学刊》 2015年第5期110-113,共4页 Journal of Urban Studies
关键词 女性形象 女性意识 审美特征 表现主义 female image female art aesthetic feature female consciousness
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参考文献3

  • 1闵家胤.阳刚与阴柔的变奏[M].北京:中国社会科学出版社,1995.427.
  • 2廖雯. 女性艺术-女性主义作为行为方式[M]. 长春: 吉林美术出版社, 1999: 44-45.
  • 3高毅清.女性绘画的自述性特征[J].美术研究,1999(2):84-87. 被引量:11

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