摘要
中国绘画史上经典的女性形象大多出自于男画家之手,这些形象在处于凝视、消费的客体,是为满足男人的期待和欲望而表现的。当代女性画家不再满足于"被看"的传统身份,按照自身的直觉感受与情感体验,创作出了一批有别于传统男性标准下的女性形象,表现出强烈的自我意识、平等意识,逐渐摆脱了男性文化的意识形态,开始建构自己的话语权。
Most classic female images in the history of China are created by male painters. In the art female images are the objects to be watched and consumed, for the purpose of satisfying the expectations and desires of males. However, the modern females are no longer satisfied with the traditional identity of "being observed", who create a group of female images different from the traditional male standard according to their own intuitive feelings and emotional experiences. Through the analysis on the female images in different periods, this paper shows that the modern females who have much stronger self-consciousness and consciousness of equality, who have gradually got rid of the ideology of masculine culture and started to construct their own painting discourse.
出处
《城市学刊》
2015年第5期110-113,共4页
Journal of Urban Studies
关键词
女性形象
女性意识
审美特征
表现主义
female image
female art
aesthetic feature
female consciousness