摘要
朱仙镇木版年画是中国非物质文化遗产的重要代表。无论是历史之悠久、形式之丰美,还是民众的认知程度,都是特别值得研究的文化现象。在众声喧哗的当代艺术界,对朱仙镇木版年画研究情况的真实了解,是艺术理论创新与边界内容拓展的紧迫需要,也是凸显艺术本土化特色并使之充满生命力的不竭源泉。在当今朱仙镇木版年画研究尤其是所显现的新维度的基础上提出了新观点和新见解,并以此为依据,强调了朱仙镇木版年画研究中存在的问题,旨在为下一步的研究展现新的方向和提供新的参考与借鉴。
Wood-block New Year paintings of Zhuxian town are important representatives of the intangible cultural heritage in China. Its long history, lush in the form, and people's acceptance, are all the cultural phenomena which are very worthy of studying. In contemporary art world, the comprehension of the research status of Zhuxian paintings is in urgent need of theoretical innovation and boundary content expanding of art theory, as well as an inexhaustible source for highlighting art localization concept and keeping it full of vitality. According to the current research status of Zhuxian paintings, especially the new dimensions, this paper puts forward new ideas, emphasizing issues concerning the research of Zhuxian town's wood-block New Year paintings, to provide new orientation and new reference for future research.
出处
《设计艺术研究》
2015年第6期104-107,119,共5页
Design Research
关键词
朱仙镇木版年画
民间美术
非物质文化遗产
田野调查
年画工艺
wood-block New Year paintings of Zhuxian Town
folk art
intangible cultural heritage
field investigation
the crafts of New Year paintings