摘要
陶瓷印章是一门既古老又年轻的艺术。古往今来,陶瓷印章虽存世不多,但因其特殊的材质也被重视。说其古老,是因为早在新石器时期,陶瓷印章的"鼻祖"已经出现,随后在唐、宋都出现过陶瓷印章。但在元、明时期,制作工序相对复杂的陶瓷印章已经逐步淡出;说其年轻,在现代,陶瓷印章再次被世人提出,陶瓷印章出现了新的发展局面,其参与创作者越发多,并在现代不断出新,美化及丰富着我们的陶瓷印章艺术,给我们以特殊的美的享受。本文通过对陶瓷印章的概述、意蕴的理论分析来进一步对陶瓷印章审美意蕴进行探索研究,最终使得陶瓷印章的艺术审美价值得到越来越多的认可,让更多的篆刻艺术家和陶瓷艺术家参与创作,继续弘扬中华传统陶瓷印章艺术的优秀文化,表达当今独特的陶瓷印章艺术气韵与风格,最终使陶瓷印章艺术得到更为广阔的发展空间。
Ceramic seal is an old yet young art. From ancient to modern times, though very few of ceramic seals have remained, they draws attentions by the public owe to their special material textures. The "originator" of ceramic seal has emerged in the early Neolithic period and ceramic seals existed in the Tang and Song Dynasty, so it was age-old. But ceramic seals with complicated production process faded out in Yuan Ming period. Meanwhile in modern times, ceramic seals are put forward again by the public. They have a new development situation that the participation is becoming larger, ceramic seal artistic is being updated, beautified and enriched continuously, then provides us a special enjoyment of beauty. The aesthetic implication of ceramic seal was further investigated by summarizing and analyzing the implication of ceramic seal. Finally the aesthetic value of ceramic seal is getting more and more approvals. More seal cutting artists and ceramic artists take part in creation to promote and develop excellent culture of Chinese traditional ceramic seal art, express today's unique artistic charm and style and make ceramic seal art get an even greater space for development.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2016年第1期89-90,103,共3页
China Ceramics
基金
江西省艺术科学规划课题(YG2013002)
关键词
陶瓷印章
审美
意蕴
Ceramic seal
Aesthetic
Implication