探析当下中国陶艺创作的困境与转向

Exploration on the Plight and Transformation of Current Chinese Ceramic Creation

中国陶艺是20世纪80年代初受西方现代陶艺的审美影响而衍生出的审美形式观念化产物。显然,其创作理念虽颠覆了原有的传统陶艺美学范畴,但走上偏激的艺术观念化与形式革新化的文化语境,背离了传统造物思想与人文美学精神,使得其风格趋向于西方现代化、表象化。然而,在这种"恶意西化"的文化语境下,中国陶艺走向"形式观念化"、"文化偏执化",并且没有实质性的创新进展。面对当下中国陶艺发展的一些问题:陶艺的传统思想丢失、陶艺的轻器重画纠缠、陶艺的材艺美学淡化、陶艺的文化语境失落等方面,需要重视陶艺教育传承的创新、注重陶瓷器物文脉的承载、转向陶艺生活美学的回归,才能建构当下陶艺创作的"古今贯通、中西共融"文化语境与艺术理念,才可获得新生。

Chinese ceramic art is the conceptualization product of aesthetic form derived from the influence by western aesthetic of modern ceramic art in the eighties of twentieth century. Obviously, its creative ideas subverted the traditional ceramic art aesthetic, but it became radical cultural context of artistic conceptualization and form innovation which is a departure from the traditional idea of creation and humanistic aesthetic spirit, making its style tend to western modernization and representation. However this ＂westernization＂ cultural context resulted in Chinese ceramic art ＂form conceptualization＂ and ＂culture paranoia＂, but no substantial progress in innovation. Confronted with the current problems of Chinese ceramic art development that loss of traditional ceramic artistic ideology, entanglement of underestimating wares but emphasizing paintings, fading of material art aesthetics, loss of cultural context, etc..We need to focus on the innovation of ceramic artistic education inheritance, emphasize the inheritance of ceramic cultural context and turn to the regression of ceramic aesthetics. Only in this way can cultural context and art concept of ＂ancient and modern communication＂ and ＂Chinese and Western integration＂ in current ceramic creation be constructed.