摘要
舞蹈类真人秀节目作为舞蹈艺术与电视艺术联姻的产物源于西方电视的创新实践。2013年前后,国内各大卫视竞相播出了舞蹈选秀类节目。究其根本,既是媒体推广模式成规与模式创新之间的博弈,也是自娱性与电视表演性的对接。然而,当下的舞蹈类真人秀节目也存在一些不容规避的困境,如商业推广性大于艺术创新性,大众娱乐性大于文化审美性。总之,欲以真人秀形式完善对舞蹈艺术的传承与推广,实现全民参与,缔造荧幕经典,学界和业界任重而道远。
As a product resulting from the combination of dance art and television art,dance reality show programs root in the creative practice of western television industry. In China,varieties of satellite television stations successively launch their dance talent show programs around 2013. Basically,it is a gaming between the conventional modes and the creative modes,and a connection between self-entertainment and TV performance. However,some dilemmas are unavoidable in the course of dance reality shows,including the overemphasis on commercial promotion property rather than art innovativeness,and on public entertainment rather than cultural aesthetic nature. In a word,there is still a long way for both the academic and industrial circles to go to complete the inheritance and promotion of dance art,to realize all-people participation and to forge screen classics in the way of reality show.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2015年第6期111-115,共5页
Journal of Beijing Dance Academy
