摘要
通过对莫高窟同一时代、同一画风的壁画所出现的不同程度的色变情况进行比较分析,并参考相关文献得出洞窟前室对防止洞窟内的阳光直射、保护壁画具有一定的积极作用。以55窟为例,根据敦煌地区的日照情况,从文物保护的角度探讨前室与洞窟之间的比例关系,进而得出前室的最佳尺度范围。
Different levels of color discoloration of mural paintings created with the same painting style in the same era were compared and analyzed and relevant literatures were studied. It was found that grotto antecabinet plays certain positive role in protecting mural from direct solar radiation. According to the sunshine condition of Dunhuang City, No.55 grotto was taken as an example to discuss the proportion between antecabinet and cave from the viewpoint of historical relic protection and to find out the optimal size scope of grotto antecabinet.
出处
《建筑技术》
北大核心
2016年第1期65-67,共3页
Architecture Technology
关键词
太阳辐射
壁画变色
前室保护
前室尺度
solar radiation
mural painting discoloration
antecabinet protection
antecabinet size
