谷崎润一郎的唯美主义意识——以《春琴抄》为研究对象

Tanizaki Junichiro's Aesthetic Consciousness:A Case Study of Shunkinsho

作为现代日本著名的唯美主义作家,谷崎润一郎于1933年创作的小说《春琴抄》被视为其回归日本传统审美意识的代表之作。这部小说通过描述女主人公春琴以"残缺"之身而追求"永恒"之美的心理,刻画男主人公佐助崇拜女性、丧失自我的形象,揭示了二者的人格缺陷与唯美追求,突出了一种超越"二元对立"框架,以缺陷与永恒为基准,以审美与女性为主题的唯美主义立场,展现了谷崎润一郎文学的内在的独特魅力与回归日本传统的独有的文化内涵。

Shunkinsho, publishedin 1933, is regarded as the representative work of Tanizaki Junichiro, a famous con- temporary writer of aestheticism in Japan. The novel indicatesthe writer＇ s return to Japanese traditional aesthetic con- sciousness. The paper analyzes the heroine, Shunkin, about her pursuit of aesthetics and the hero,Sasuke, his wor- ship of female and loss of self, which reveals their character flaw and pursuit of aesthetics. The paper holds the view that the novel highlights the transcendence of binary opposition by using aestheticism and female as the theme andin- completeness and eternity as the basic standard. The work also reveals Tanizaki＇ s unique hterary charm and the cul- tural connotation of the return to Japanese tradition.