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写生在水墨人物画中的重要意义

The Significance of Sketching in Ink Figure Painting
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摘要 写生是一个舶来词,在中国画中的写生已不再是一种绘画语言技能的训练,而已上升到人格修养的提炼和升华。水墨人物画作为由传统写意人物画衍生而来的新兴画种,水墨人物写生的一项必不可少的重要内容,学习传统、探索笔墨语言、研究师法自然必不可少的课题,是为进行水墨人物画创作做铺垫,为水墨人物画创作搜集素材、积累绘画语言。 Since sketching is an exotic word, it is no longer a painting skill in the Chinese painting and has been elevat- ed as an extraction and a distillation of personality. Ink figure painting, as a new kind of new painting derived from traditional freehand brushwork figure painting, has such four following features that it is an indispensable important learning content, that an ink-figure painting sketch is also a natural and essential project of learning painting tradition, exploring language via pen and ink, and imitating nature, that it paves the way for the creating Chinese ink painting, and it can enrich painting language by collecting and accumulating painting materials.
作者 刘勇
出处 《集宁师范学院学报》 2016年第1期26-29,共4页 Journal of Jining Normal University
关键词 笔墨 写生 临摹 语言 Brush and ink sketch copy language
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参考文献3

  • 1南羽编.黄宾虹谈艺录[M].郑州:河南美术出版社,1998.
  • 2毕建勋著.中国画造型基础教学[M].郑州:河南美术出版社,2004,(12).
  • 3毕建勋著.水墨人物画写生与创作[M].郑州:河南美术出版社,2004,(12).

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