摘要
超越叙事是雪漠在写作生涯中长期坚守的一种创作信仰,是在灵魂和神性的高度照观下的一种超越了世俗世界的悲悯与反思,是用一种通透与宏大的视角来表现生活与世界真相的创作观点。"超越叙事"力图在不完整的叙事结构中传递一种完整的气息和气场,传达一种超越空间、逾越时间的艺术概念,从而实现对传统现实主义叙事方式的一种文本超脱。《野狐岭》采用了与超越叙事方式相匹配的独特的复合结构。这种复合结构在文本表现中,又呈现出心理杂糅和情节环包的两种结构类型。在雪漠文学创作本体论的宏观层面下讨论小说《野狐岭》中"超越叙事"与"复合结构"的表现特征,发掘雪漠小说创作在当下文学建设中所具有的不可替代的价值和意义。
Transcendental narration is Xue Mo's long-cherished belief, a compassion and reflection beyond the secular world under the view of soul and divinity, and also a creative point of view to show the real life and world truth from a transparent and grand perspective. Transcendental narration tries to pass on an atmosphere through incom- plete narrative structure and conveys an artistic concept beyond space and time to achieve the text exceeding for narrative method of traditional realism. Ye Hu Ling has a unique composite structure matching with transcendental narration, which includes two structural types of psychological hybridity and plot ringing. This paper discusses the performance characteristics of transcendental narration and complex structure and explores the irreplaceable value and significance in Ye Hu Ling at the macro-level of Xue Mo's literature ontology.
出处
《唐都学刊》
2015年第6期83-89,共7页
Tangdu Journal
关键词
雪漠
《野狐岭》
超越叙事
复合结构
Xue Mo
Ye Hu Ling
transcendental narration
complex structure