元杂剧《梧桐雨》梦境措置的美学意义

Westernization Movement and Chinese Early Agricultural Modernization

元杂剧《梧桐雨》第四折的创作历来为人称道,作者白朴将梦境植入作品,从现实与虚幻两个层面细致入微地展示了主人公晚年的凄凉,更加摇撼人心。尽管白朴生活的年代早于弗洛伊德,但是他在作品中的呈现却完全地契合了弗洛伊德的理论,而且更像是在文学领域对弗洛伊德梦的理论的活用,产生了极大的艺术功用与审美效应。文章从弗洛伊德理论视域下的"秋夜梧桐雨"、戏剧中梦境措置的艺术功用和梦境植入的审美效应三个层面进行论述,对元杂剧《梧桐雨》梦境措置的美学意义进行一番窥探。

Since ancient times, China is a large agricultural country. Early Modernization of China is inseparable from agricultural Mod- ernization. Westernization Movement from the 1860s that China began started Chinese early modernization. Among them, agricultural modernization is an important aspect of the Westernization Movement. Westernization had put forward their own understanding and in- sight for Chinese agriculture and the status of agricultural modernization in the national economy. This is just a preliminary understand- ing and vision, and some ideas did not put them into practice, but there is no doubt it is the first step in the development of China~ ag- ricultural modernization. And it promoted the development of Chinese agricultural modernization. In addition to, it also provides a ref- erence for the future development of Chinese agriculture. This paper attempts from the westernization for the understanding of the agri- cultural status in the national economy and the ideas of Chinese agricultural development to analyze the impact and role of the Western- ization Movement to early agricultural modernization in China.