明清时期山西平阳神庙戏台及其时空分布

The Distribution Characteristics and Construction Reasons of Pingyang Temp Stage in Shanxi During the Ming and Qing Dynasties

山西古戏台最多,平阳府为山西重镇,晋文化核心区,其戏台具有典型性。明清两代是戏台修建集中期,神庙戏台为戏台类型的一种,其修建得到统治者和晋商支持,晋南戏曲文化传统与戏曲本身的教化、酬神功能进一步促成神庙戏台修建。然而,清代平阳神庙戏台在数量上明显多于明代,在空间分布上呈现不均衡态势。基于时空视域下对明清平阳神庙戏台的研究,可以探究这一历史文化景观的形成、发展特征,为当今神庙戏台功能重建、戏曲文物保护提供一定启示。

There are most ancient stage in Shanxi province , Pingyang as the center of the Shanxi culture, the stages are typical. The main period of construction was Ming and Qing dynasties, the temple stage is a kind of stage, its building received the support from the rulers and the Jin - business , and be opera cultural tradition and the enlightenment of drama itself, pay god temple stage construction, to promote greater function. The number of Pingyang temple stage in Qing are more than the Ming dynasty, its space - time distribution is imbalance . Based on the space and time horizon, the study of Pingyang temple is to explore the formation and developmet character- istics of historical and cultural landscape, for today~ temple stage function reconstruction, opera provide certain enlightenment for the protection of cultural relics.