摘要
张家界作家石继丽的"旅游四部曲"极尽盛情召唤游人前来观赏,小说《庸城笔迹》与随笔《走庸城》则深入"半边街"的底层民间,为小人物立言,为地方风物立碑。从空间表达的角度来看,张家界,有风景名胜,还有"半边街",似乎才是完整的。一个主自然,一个主人文,一个是闪亮登场,无限盛情,一个是悄然隐退,在历史的长河里呈现出"回头的完美"。
As a writer taking root deeply into the earth of Zhangjiajie, Shi Jili has produced many works about its gorgeous landseape. In the Tourist Tetralogy, she invited tourists to visit her hometown with great passion and hospitality. In the novel Note on Zhangfiafie and Walking through Zhangjiajie, she went deeply into the Banbian Street, recording the trivial people and local customs. Viewed in a spatial expressional perspective, Zhangjiajie is integrated only if its beautiful landscape is combined with Banbian Street. One represents nature, sparkling in people' s sight, while the other symbolizes humanity, fading away from history
出处
《湖南工业大学学报(社会科学版)》
2015年第6期52-55,共4页
Journal of Hunan University of Technology(Social Science Edition)
关键词
石继丽
旅游文学
张家界
半边街
空间表征
Shi Jili
tourist literature
Zhangjiajie
Banbian street
the Spatial Representation