摘要
影像技术革新、青年反文化运动和作者电影理论是欧美现代电影运动的三大关键动力:摄影及录音设备的轻便化使影像创作能够表现更现实、更复杂的社会生活;青年反文化运动标志着战后青年一代已成长为独立的文化力量,他们推动着电影美学观念全面革新;作者电影理论有效地提升了电影导演的艺术家身份,进而推动了电影创作体系的发展与革命。在这三大动力的推动下,电影逐渐成为公众视野中具有社会价值的现代艺术形式,并成为当代文艺精神的重要表征。
The image technology innovation,youth counterculture movement and the author theory were the core of the European and American modern movie movement. The portable equipment of photography and recording has made it possible to reveal the more realistic and more complex social life. Youth counterculture movement has marked that post- war youth generation has grown into an independent cultural group and consumer group,who promote the revolutionary transformation of film culture and aesthetic concepts. The author theory has improved the identity of the film director and promoted the development and revolution of the film creation system. Driven by the three major driving forces,film has gradually become a modern art form with social value in public view,and become an important representation of contemporary art spirit.
出处
《南昌大学学报(人文社会科学版)》
CSSCI
北大核心
2015年第6期141-145,共5页
Journal of Nanchang University(Humanities and Social Sciences)
基金
国家社会科学基金西部项目"香港左派电影批评史研究"(15XZW008)
关键词
现代电影运动
影像技术革新
青年反文化运动
作者电影理论
新好莱坞
modern movie movement
image technology innovation
youth counterculture movement
author theory
new Hollywood