摘要
生活在东北地域的少数民族,在"万物有灵"的宗教信仰基础上,逐步形成了萨满文化中特有的民族民俗绘画造型艺术。其艺术形式,主要将与民族息息相关的自然界中的各种自然现象、动植物神灵及祖先作为崇拜对象,这种特质的造型艺术形式是人与自然关系中原生态的文化形式,是社会民族综合心理意识的集体反映,是融宗教实用功能性与艺术审美性的结晶,对我国及世界文化艺术的发展产生了深远的影响。
Based on the religious belief that all things have souls on the earth ( Animism), ethnic minorities in the northeast of China gradually shaped their peculiar style of painting "art about their nationalities and custom in the Shamanism culture. This kind of painting art mainly reflects the ethic minorities' worship to the natural phenomenon, the gods of animals and plants and their ancestors. The typi- cal features of this kind of painting art lie in embodying the primitive ecological culture, reflecting the ethnic minorities' psychological mind and connecting the religious practicality with aesthetic appreciation of art. This kind of painting art has impacted on the development of culture and art both in China and in the world.
出处
《长春师范大学学报》
2015年第12期203-206,共4页
Journal of Changchun Normal University
基金
吉林省社会科学基金规划办项目(2012B285)
关键词
萨满教
绘画艺术
审美特征
Shamanism
painting art
feature of aesthetic appreciation of art