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论根植于宗教的东北少数民族绘画艺术

On the Painting Art of Ethnic Minorities Rooted in Shamanism in the Northeast of China
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摘要 生活在东北地域的少数民族,在"万物有灵"的宗教信仰基础上,逐步形成了萨满文化中特有的民族民俗绘画造型艺术。其艺术形式,主要将与民族息息相关的自然界中的各种自然现象、动植物神灵及祖先作为崇拜对象,这种特质的造型艺术形式是人与自然关系中原生态的文化形式,是社会民族综合心理意识的集体反映,是融宗教实用功能性与艺术审美性的结晶,对我国及世界文化艺术的发展产生了深远的影响。 Based on the religious belief that all things have souls on the earth ( Animism), ethnic minorities in the northeast of China gradually shaped their peculiar style of painting "art about their nationalities and custom in the Shamanism culture. This kind of painting art mainly reflects the ethic minorities' worship to the natural phenomenon, the gods of animals and plants and their ancestors. The typi- cal features of this kind of painting art lie in embodying the primitive ecological culture, reflecting the ethnic minorities' psychological mind and connecting the religious practicality with aesthetic appreciation of art. This kind of painting art has impacted on the development of culture and art both in China and in the world.
作者 王子林
出处 《长春师范大学学报》 2015年第12期203-206,共4页 Journal of Changchun Normal University
基金 吉林省社会科学基金规划办项目(2012B285)
关键词 萨满教 绘画艺术 审美特征 Shamanism painting art feature of aesthetic appreciation of art
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参考文献3

  • 1郭淑云.原始活态文化[M].上海:上海人民出版社,2001.122.
  • 2鄂苏日台.原生态民俗信仰文化[M].呼和浩特:内蒙古大学出版社,2006.
  • 3孙运来,黑龙江流域民族的造型艺术[M].天津:天津古籍出版社,1990.206-207.

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