摘要
以互文性改写为切入点,剖析安吉拉·卡特的小说《染血之室》中拼贴、重组、戏仿、解构等后现代技法。卡特以互文性作为"创造性叛逆"的手段,打破人们心目中根深蒂固的女性形象,创造多重的、复杂的女性形象,推翻传统两性间的模式,树立了新的主题——"女性主义的姐妹情谊"。
Techniques of postmoderuism such as pastiche, reconstruction, parody and deconstruction in The Blood Chamber by Angela Carter are analyzed in this essay. By employing "intel"texuality" as a means of creative rebellion, Angela Carter upturned the stereo- typed female image and created a more dimensional and complex one. The traditional relationship between men and women was over- thrown and a new theme--" the sisterhood" was set up in The Blood Chamber .
出处
《长春大学学报》
2016年第1期71-74,共4页
Journal of Changchun University
关键词
《染血之室》
互文性改写
戏仿
拼贴
The Blood Chamber
intertexuality rewriting
parody
pastiche