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互文性改写视角下的《染血之室》

An Analysis of The Blood Chamber from the Perspective of Intertexuality Rewriting
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摘要 以互文性改写为切入点,剖析安吉拉·卡特的小说《染血之室》中拼贴、重组、戏仿、解构等后现代技法。卡特以互文性作为"创造性叛逆"的手段,打破人们心目中根深蒂固的女性形象,创造多重的、复杂的女性形象,推翻传统两性间的模式,树立了新的主题——"女性主义的姐妹情谊"。 Techniques of postmoderuism such as pastiche, reconstruction, parody and deconstruction in The Blood Chamber by Angela Carter are analyzed in this essay. By employing "intel"texuality" as a means of creative rebellion, Angela Carter upturned the stereo- typed female image and created a more dimensional and complex one. The traditional relationship between men and women was over- thrown and a new theme--" the sisterhood" was set up in The Blood Chamber .
作者 谭静
出处 《长春大学学报》 2016年第1期71-74,共4页 Journal of Changchun University
关键词 《染血之室》 互文性改写 戏仿 拼贴 The Blood Chamber intertexuality rewriting parody pastiche
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参考文献9

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二级参考文献27

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