中西传统绘画空间表现中的“色彩比较”

“Color Comparison” in the Spatial Articulation of Traditional Chinese and Western Painting

中国传统绘画空间表现侧重于以虚实关系来处理空间,这涉及到留白、墨分五色等问题;西方传统绘画空间的特点则是用明暗、冷暖关系等来表现。无论是中国的墨色,还是西方的明暗冷暖,都是"色彩"的问题。通过"色彩比较"的研究,可以看出中国传统绘画的空间表现是受"天人合一""传神论""意象论"和中国传统书法艺术影响而形成的一种"有意识的墨色",而西方传统绘画的空间表现则是在理性精神、"模仿说"和古希腊雕刻艺术影响下形成的"三位一体"的色彩关系。

In traditional Chinese painting, spatial relations are always presented by the change of colors, including blank-leaving and the gradation of ink; while in traditional Westernpainting, these relations are presented through the contrastbetween light and shade, and between warm and cold colors. Infact, both the gradation of ink and warm-cold color contrast areabout colors. Through color comparison, it can be seen that thespatial relations in traditional Chinese painting are ＂intentionallydeveloped color relations＂ formed due to the influence of thenature-man unity theory, the ＂vivid conveying of spirit＂ theory,the imagery theory and traditional Chinese calligraphy art;while the spatial relations in traditional Western painting are＂Trinitarian＂ color relations formed under the influence of therational spirit, imitation theory, and the sculpture art of ancient Greek.