社会转型与农村、农民的影像再现--以20世纪80年代的农村题材电影为例

Social Transformation and Image Reproduction of the Countryside and Farmers——A Case Analysis of Several Typical Countryside Films of China in 1980s

20世纪80年代,在社会转型的时代语境下,文艺创作者关于农村、农民的镜像再现呈现出三种模式:改革话语下的"弄潮儿"镜像;农村的"高加林们"与制度的不能承受之重;改革与传统文化的不能承受之重。这三种镜像话语,呈现了作为代言者——文艺创作者对农村、农民的各种文化想象。由于影像作品巨大的文化影响力,这些蕴含着文艺创作者主观价值判断的文化再现,在很大程度上左右了社会对农村、农民的集体认知。

In 1980 s,in the context of social transformation,the image reproduction of the countryside and farmers presented as three modes：current leader in the context of reform discourse,the rural youth like Gao Jialin who are unwilling to the status quo in the context of urban and rural dualistic system,stronghold of the traditional culture.The three image reproductions presented cultural imaginations of literary creators who served as spokersman of countryside and farmers.Because of the films＇ great influence,the subjective image reproduction affected people＇s perception of the countryside and farmers.