摘要
本文的研究对象——英国作曲家弗里德里克.戴留斯,是一位注重和声色彩的大师,其作品极具可听性,被称作"英国印象派"。印象派在音乐史上的重要地位毋庸置疑,而作为亨利.普塞尔去世二百年之后的"英国音乐复兴"时期的作曲家、英国民族乐派的代表人物之一,戴留斯将英国民间音乐素材与半音化和声手法相结合,确立了自己在音乐史上的一席之地。本文将以调式、调性、和弦、织体等为主要线索,根据该作曲家在不同时期的作品,从听觉角度对其风格进行分类总结。据此对其和声手法进行探索与研究,以期对今天的和声理论研究与和声听觉理念产生一定的参考作用和学术价值。
English composer Frederick Delius, the research object of this paper, is called "English impressionist". As a master of harmony color, his works are extremely for listening appreciation. There is no doubt about the impressionist important role in music history. Two hundred years after the death of Henry Purcell, as one of the composers in "British Musical Renaissance" period and one of British national music representatives, Delius established his position in music history by combing English folk music materials and semitone-styled harmony methods. Based on mode, tonality, chord and texture and from the listening angle, this paper classifies and summarizes Delius' s styles according to his works of different periods. The purpose of this paper is to elucidate the reference role and academic value of his harmony methods to our harmony theory research and harmony listening ideas.
出处
《乐府新声(沈阳音乐学院学报)》
2015年第4期26-41,共16页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
半音化
英国印象派
调性游移
非功能化进行
调性扩张
线性思维
semitone-styled
English impressionist
tonality wandering
non functional movement
tonality expansion
linear thinking