南戏声腔的流变与地方戏的产生

Relationship between Transformation of Nanxi Tone and Forming of Local Drama

在南戏发展史上,声腔演变是个显著而颇受争议的问题。戏曲声腔不指单纯的乐音之腔,而指乐音和语音合一的腔。一种声腔流布到其它地方后,结合所到地域的方言、俗语、风俗等,逐渐发生变化,形成新的声腔。新声腔的产生是新地方戏产生的标志。通过史料来追踪南戏声腔的流变过程,以此探求地方戏的产生及其与南戏的渊源。

In the development history of rtanxi, the evolution of nanxi tone is a notable problem which causes longterm debates. Traditional Chinese opera＇ s tones don＇ t simply refer to musical tune, but refer to the fit of musical tune and tone. Once a genre of traditional opera is spreaded to one place from another area, it will change and turn into a new tone in accordance with local dialect, common saying and customs. The forming of a new tone is the symbol of a new local drama. The track of the evolution of nanxi tone through historical data hepls to explore the emergence of various local dramas and their relation with nanxi.