摘要
《有一个媳妇受折磨》《绣金匾》《高楼万丈平地起》《三天没吃一颗米》,是几首调式方面很有特点的民歌。但近三四十年来,有些同仁对它们的调式构成及应该采用何种调式音阶等问题,提出了种种不同的看法。根据民间关于调式有"欢音"、"苦音"之分的说法,以及根据潮州音乐"二四谱"中的有关乐语,可以解读调式音阶的构成及应该采用何种调式音阶的问题。
There are ballads with mocle and which divided into the is a Wife Afflicted, Embroidered Golden Plaque, High-rise from Plain, and Three Days without Food characteristic mode. In the past four decades, some musicians put forward different views on their mode or scale should be applied. The problem can be solved according to the folk saying of the mode "happy tone" and "bitter tone", and relative music language in the "two-four score" of Chaozhou music.
出处
《浙江艺术职业学院学报》
2015年第4期73-80,共8页
Journal of Zhejiang Vocational Academy of Art
关键词
民歌
调式
潮州音乐
乐语
ballad
mode
Chaozhou music
music language