期刊文献+

假声男高音的鉴别与训练 被引量:3

Training of Countertenors
下载PDF
导出
摘要 近年来越来越多的假声男高音开始被大众所认识、接受、和喜爱。在我国也涌现出很多非常优秀的假声男高音,因此针对假声男高音这一相对特殊声种的声乐教学在我国是具有现实意义的。技术理论与音乐审美相结合是有效训练假声男高音的有效手段;它从心理和生理两个方面来帮助学生竖立演唱假声男高音的信心,从而和提高学生的演唱水平。另外,学习和吸收一些国外著名声乐教育家针对假声男高音常见问题的训练方法,对加快完善我国假声男高音的教学具有很高的参考价值。 In recent years, there are more and more countertenors welcomed by world, including Chinese countertenors and Chinese audiences. Therefore, it is Chinese voice teachers to know how to define and train countertenors. their audiences from all around the important for some less experienced During the teaching practice, the perfect combina- tion of countertenors' inner hearing and their unique vocal timber aesthetic will help countertenors get confidence when they sing in countertenor voices. Moreover, to study some Western vocal pedagogues' teaching methods for certain counter- tenors' vocal issues is the best resource for Chinese voice teachers to refine the vocal pedagogy for Chinese countertenors.
作者 赵晓阳
出处 《浙江艺术职业学院学报》 2015年第4期95-98,共4页 Journal of Zhejiang Vocational Academy of Art
关键词 声乐 假声男高音 内心听觉 纯粹头声 vocal music countertenor inner hearing falsetto
  • 相关文献

参考文献7

  • 1MILLER R. Countertenoring [ J ]. Journal of Singing, 2000, 2 (57) : 19-21.
  • 2MCCOY S. Falsetto and the Male High Voice [ J ]. Journal of Singing, 2003, 5 (59): 405-408.
  • 3FUMIKO S. Thought and Feeling in the Study of Music [ J ]. Journal of Research in Music Education, 1999, 2 (47): 150-162.
  • 4普凯元.音乐内心听觉的心理学原理[J].交响(西安音乐学院学报),2000,19(2):9-11. 被引量:55
  • 5ROSE A. The Singer and the Voice : Vocal Physiology and Tech- nique for Singers [ M]. New York: St. Martin' s Press, 1971.
  • 6MILLER R. The Structure of Singing: System and Art in Vocal Technique [M]. New York: Schirmer Books, 1986.
  • 7MILLER R. Solutions for Singers: Tools for Performers and Teachers [ M ]. New York : Oxford University Press, 2004.

二级参考文献1

共引文献54

同被引文献8

二级引证文献1

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部