摘要
The same wide robe and long sleeves, the same Kung Fu techniques, and the same palace courtyards are the true embodiments to the fact that Chinese commercial films are on the same single-plank bridge. Luxurious color, motion, and scenes have been almost extremely perfect, but why do the audiences still dislike the films？ This is probably because the forms in the films are greater than the themes, and the surfaces are excessively stressed and the most essential points are ignored.
