摘要
以求仕、扩大视野、增长学识为主要目的的元代南士北游,在将南方儒学与诗文观念传布北方的同时,其自身也得江山之助,一改宋以来诗坛狭窄委琐之气。在南北交流的过程中,南士逐渐成为元代诗坛的主导力量,掌握了诗歌话语权和理论阐释权,复古最终成为一种潮流。他们在北游过程中不仅强化了南士在文学创作格局中的影响力,而且将宋型文化延续光大,最终形成了多元文化融合下南北诗文风气的大一统局面和以大都文化圈为核心的元代诗坛。但其与北方文士在"雅正"理论和效果上的不同,实则暗含着文化权力秩序的差异与矛盾。
The pilgrimage of southern scholars to the north, tailored to launch positions, widen the hori- zon, and proliferate knowledge, shook the picayune and parochialism of the poetry since Song Dynasty. Mean- while, it disseminates southerners" the Confucianism and writing style to the north. During this process, the southern scholars came to dominate and took over the poem discourse power and theoretical interpretation. In the pilgrimage, they boomed their clout, revived the culture of Song Dynasty, and blended the northern and southern styles. Accordingly, an overarching principle and a poetry set based in Dadu emerged. However, southern styles discord with the elegance and plainness of northern ones, which suggests the disparity of the cultural order of power.
出处
《哈尔滨工业大学学报(社会科学版)》
2016年第1期62-69,共8页
Journal of Harbin Institute of Technology(Social Sciences Edition)
基金
2013年国家社会科学基金青年项目"元代翰林国史院与元诗风尚研究"(13CZW040)
关键词
元代
南士北游
大都
诗坛风气
Yuan Dynasty
the pilgrimage of southern scholars to the north
Dadu
the milieu of poetry set