摘要
昆剧演员出身的剧作家张弘,对昆剧场上艺术有着切身的体认。他的新编昆剧,精神意蕴上,上接古人情怀,深怀悲悯之心,蕴含了悟之境;艺术手法上,重场上之曲,重"情"、"趣"。在遵循昆剧"三体三式"的艺术规定性前提下,在杂剧体例中融入了西方传统戏剧的锁闭式结构,在折子戏中嫁接了西方现代戏剧的拼贴结构,兼具传统性、现代性与创新性。
Zhang Hong is an actor-turned playwright who has a direct and deep understanding of the art of Kunqu. His new scripts for Kunqu contain a spiritual horizon inherited from the ancient Chinese, compassion and an enlightened wisdom. Zhang shows special concerns with tuned verse, and the "emotion" and "humour" of the play. Following the "three varieties with three forms" principle of Kunqu, Zhang enriches the genre of Zaju with the closed structure from the western dramatic tradition and incorporates into and highlight modern western drama. Zhang's plays are the mixture of tradition, modernity and creativity.
出处
《戏剧艺术》
CSSCI
北大核心
2016年第1期55-64,共10页
Theatre Arts
基金
上海市高峰学科"上海戏剧学院戏剧与影视学"建设项目的阶段性成果
关键词
张弘
新编昆剧
传统性
现代性
Zhang Hong
new Kunqu script
traditionality
modernity