摘要
唐音阁歌行以 1979年为界分为前后两期 ,前期以才气胜 ,后期以才学胜 .2 .唐音阁歌行以“大气包举”为其审美特质 ,以时代精神为其基本品格 ,以秦陇之音为其文化底蕴 ,以超越意识为其心理机制 ,以兼收并蓄为其源头活水 .3 .唐音阁歌行对增强当代诗人之使命感 ,促进当代诗坛风格流派之形成 ,推动当代诗人文化人格之重铸 ,以及消除当代诗坛之肤浅与狂躁 。
TangYinGe's poems have two different styles: Before 1979, the style is known for the poet's splendor while after 1979, the style is known for the poet's knowledge. “Splendor” is a necessary element in appreciating TangYinGe's poems, which regards the spirit of the age as its character and which is based on the culture of QinLong and which aborbs the excellence of other poets. TangYinGe's poems are very significant in making the present generation of poets aware of their respon sibility, in helping form the diffrent kinds of poems and in eliminating the shallowness of the contemporay poets.
出处
《蒙自师范高等专科学校学报》
2000年第5期30-35,共6页
Journal of Mengzi Teachers' College