哀牢山下行吟者——青年农民诗人胡云辉和他的《哀牢吟草》

A Poet at the Foot of Ailao Mountain

中国诗歌史 ,经历了两千多年 ,各个时期各有自己的表现形式 ,高峰迭起 ,各领风骚 ,但都离不开音韵 ,有了音韵 ,才音调铿锵 ,琅琅上口。到了唐代 ,律诗成熟 ,音韵再加平仄对仗成了格律诗 ,几乎成为我国诗的民族形式 ,经久不衰 ,一直流传到近代。现代律诗式微了 ,能者不啻凤毛麟角 ,胡云辉同志的《哀牢吟草》是律诗的习作 ,虽格调韵律平仄对仗诸方面都不那么纯熟 ,但他“熟读唐诗三百首” ,有一定的旧诗底蕴 ,加上他的灵性 ,粗具律诗规范。我们作些介绍 ,以资鼓励 !

The chinese poem writing has a history of over 2000 years. Different features of poems are shown in different periods . However, they all have one thing in common, they adhere to the phonological principles, which make the poems rhythmic. 2n Tang dynasty, Pingze was introduced into poems to form a new style, Gelu poems. Ge lu poems have undergone a long history. Nowdays Gelu poems are offen poor quality. “The praise of Ailao Grass” by HuYunHui adopts he style of Gelu. The composer is well familiar with the poems in Tang dynasty. This helps him to writs in a style which is close to Gelu poems.