后现代文化语境中的跨文体写作

Cross-style Writing in Post-modern Cultural Context

由来已久的跨文体写作 ,在跨越数千年的文体学史上始终未能成为作家普遍的追求。然而 ,在世纪之交的文化语境中 ,跨文体写作犹如横空出世 ,于不期然间构成了文坛的一道独特风景 ,并在一定程度上弥补了纯文学失语与孤寂的部分现实。可以这样说 ,作家艺术创新的强烈愿望 ,再加之后现代文化语境的催生与推动 ,无疑是导致一批极具先锋意识的中青年作家勇于打破既定的文学和艺术体裁之间的疆域 ,超越传统文体规范 ,尝试让更多的艺术样式共同进入同一个文本的话语运作的主要原因。尽管跨文体写作目前的现状极为驳杂 ,理想的文本也尚未出现 ,但它不落窠臼。

For thousands of years of the stylistic history,long-standing cross-style writing has never become a universal pursuit for writers.In the cultural context at the turn of the 20th and 21st centuries,however,cross-style writing like something coming down from the sky,unexpectedly has formed a unique stlye and to a certain extent smoothed over part of the reality of defect and loneliness in pure liturature.The writers' strong desire for artistic innovation,so to speak,in addition to accelevation and impetus by post-modern cultural context,has caused a number of middle-aged and young writers with vanguard consciousness to try to bring more artistic styles jointly into the discourse operation of the same text,being brave in breaking down the barrier between the established literary and artistic genres beyond the norms of traditional stylistics.At present,although cross-style writing is extremely heterogeneous and no ideal text has appeared,its artistic spirit,which conforms to no conventional pattern,and pursues the new and strives for change,is worth nodding approval.