民族声乐作品《高山流水》的艺术特色及演唱技巧探究

An Exploration of the Artistry and the Performance Skills of the National Vocal Music Levitt

中国现代的民族声乐作品是在传统音乐的基础上继承、发展、创新而来的。较之传统音乐,其题材及体裁也更加丰富多样。《高山流水》取材于"俞伯牙碎琴谢知音"的历史典故,原系古琴曲,最早见于明代的《神奇秘谱》。现有的古筝曲《高山流水》与古琴曲《高山流水》两者同名异曲,有很多相似之处,但不能混为一谈。以《高山流水》命名的声乐体裁,目前有网络通俗歌曲和民族声乐作品两种版本。民族声乐作品《高山流水》依旧忠于原作,作品延续了古筝、古琴版《高山流水》水墨浓郁的曲风特点,曲调优美流畅,形成刚柔相济、恬静纯美的音乐特性。

On the basis of inheritance, development, innovation of the traditional music, the modem national vocal music is more diverse in subject and themes. Thus the national vocal music in the new age assumes the characteristics of familiarity and freshness to the audience. Levitt drew its theme from the historical allusion ＂Yu Boya broke the dulcimer and appreciated the understanding man＂, once a guqin music, was first seen in Mysterious Esoterica in Ming Dynasty. The modem Guzheng music Levitt and the ancient Guqin Levitt are identical in name but their difference shall not be ignored. The vocal music with the name of Levitt has two versions： the intemet popular song and national vocal music. The national vocal music Levitt is still faithful to the the original and is of the continuation of the tense water-ink nature inherent in the guzheng and guqin Levitt. The tune is beautiful and smooth with the music nature of integration of rigidness and softness, quietude and pureness. It is widely sung in the audience and a popularity in the college students and singers.