蔡文姬与后世《胡笳十八拍》

Cai Wenji and Hujiashibapai

《后汉书》中没有蔡文姬所作《胡笳十八拍》,只有《悲愤诗》。宋人虽质疑《悲愤诗》的真实性,却并不怀疑《胡笳十八拍》。蔡文姬所作《胡笳十八拍》自唐以来以非同寻常的"凄楚"而得到士人垂爱。因"隶属""乐府","哀怨"常借"音""舞""笛""笳""琵琶"等乐器得以宣泄。刘商、王安石的《胡笳十八拍》及类似题目的创作同样体现了"凄楚"的主旋律。这些作品虽不再缅怀蔡文姬生活的年代,却也是异族入侵、山河破碎的真实叙述。

There is not Hujiashibapai but poem Beifen written by Cai Wenji in Hou Han Shu. Although the authenticity of poem Beifen was questioned in Song dynasty,there was no doubt on Hujiashibapai.Since the Tang dynasty,Hujiashibapai as enjoyed by scholars on account of its tragically. Attached to Yuefu,the plaintive mood was performed by ＂ sound＂, ＂ dance＂, ＂ flute＂, ＂ Jia＂, ＂ Pipa＂ and other musical instruments. Hujiashibapai written by Liu Shang and Wang Anshi and a similar topic also reflects the tragically theme. Although these works are no longer remembered Cai Wenji＇s life,but also the real narrative of alien invasion,broken pieces.