摘要
诗意图是对诗意的模仿和再现,也可名之为诗歌的图像修辞。从其诸种图式可知,这一另类修辞格主要表征为诗语空白的填补和诗歌意象的具体化。由此,文本所编织的诗意在图像中直接绽开而变得"一目了然"。另一方面,诗意图所绽开的只是"诗眼"而非诗意的全部,因此,它的模仿不过是一种"例证"而非诗意的完整再现。于是,诗意图就像矗立在深邃语义中的屏风,在使诗眼绽开的同时也屏蔽了图像背后的世界。这就是诗意图的双重性相及其符号表征:"绽开"与"屏蔽"的二元组合形塑了它的格式塔特质,开阖有序的律动驱使语图符号之互文游戏,诗意在图像中的若隐若现撩拨着视觉诱惑。
The imagery of poetry is the imitation and reproduction of poetry,and can also be named the pictorial rhetoric of poetry.From its various pictorial patterns,one can know that this alternative figure of speech is mainly represented as the filling of blank of poetic language and the embodiment of poetic imagery.Hence,the poetry created by the text is directly unfolded in images and thus becomes 'clear at one sight.' On the other hand,what the imagery of poetry unfolds is merely 'kernel of a poem' rather than the total poetry,therefore its imitation is only a kind of 'exemplification' rather than the complete reproduction of poetry.So,the imagery of poetry is just like a decorative screen standing within profound semanteme,obscuring the world behind images while making the kernel of a poem unfolded.That is the duplicity of imagery of poetry and its symbolic token;The dual combination of 'unfolding' and 'obscuring' builds up its Gestalt characteristics,orderly rhythms,and mutual supplementation games driving linguistic and pictorial symbols,with the looming of poetry in imagery as visual enticement.
出处
《中国社会科学》
CSSCI
北大核心
2016年第1期163-181,207,共19页
Social Sciences in China
基金
国家社会科学基金重点项目"文学图像论"(项目编号12AZW005)的阶段性成果