抗战前后舞台语言的“自然”——从《戏的念词与诗的朗诵》说起

On “Natural-Delivering” of Stage Lines around the Period of the War of Resistance

舞台语言的"自然"问题,在话剧出现之前并不存在。话剧如同没有"声音呈现"传统的白话诗文一样,摸索着如何将念词自然地以声音表现。本文除提供朱自清审查洪深《戏的念词与诗的朗诵》的一手材料,便是以"自然"为切入点对抗战前后围绕舞台语言的讨论进行分析。结论是:"自然"是实践与行动的概念,它超越了法则、感官知觉的层次,由身体主体展现出来。舞台上的"自然"并不自然,它需要时间,是传统与文化渐次积累的结果。

The ＂natural-delivering＂ problem of stage lines doesn＇t exist until the emergence of Chinese modem drama. One task of modem drama is to find out the way of delivering the stage lines in a natural way. This paper in question, with the original document of Zhu Ziqing＇s review report on Hong Shen＇s Lines Delivering and Poetry Reading as first-hand materials, tends to discuss the stage lines before and after the War of Resistance from the perspective of ＂natural- delivering＂. The conclusion of this paper is： ＂natural＂ is a concept of practice and action, it goes beyond layers of rules and sensory perceptions. The ＂natural-delivering＂ of stage lines can not be achieved naturally, it＇s a comprehensive result of accumulation of time, tradition and culture.