消失的舞台--第13届布拉格国际演出设计与空间四年展述评

Disappearing Stages——On the 13th Edition of Prague Quadrennial of Performance Design and Space

本文通过笔者在第13届布拉格国际演出设计与空间四年展上的亲历亲见,记录了各国策展演出的细节,并历时性联系历届布拉格四年展,从舞台美术装置、展览作为舞台、从制作舞美到发现"舞美"、共享空间四个方面对于布拉格四年展做了详细的述评。本届展览内容呈现出这样一个事实:舞台美术不再只是传统的戏剧形式达到演出目的的手段,而是目的本身;不再只是记录舞台演出的文献式展陈,而是一种思维方式。它使得舞台美术成为走向自身更完整的艺术学科。本届展览标志着四年展发生了逐步从针对戏剧专业人员到以开放姿态面向公众,从记录演出到立足展览现场的重大转变。

Based on the writer＇s personal experience in PQ 2015, his detailed records of every country＇s exhibition shows and his retrospect of the past 12 editions of the exhibition, this article reviews on PQ 2015 in-depth from the perspective of stage devices, exhibition as stage, making stage design to discovering stage design, shared space. PQ 2015 indicates a fact that stage design is no longer a method for the purpose of performing, it is the purpose itself; stage design is no longer a document to record stage performance, it is a way of thinking. PQ 2015 witnesses the development of stage design to a complete artistic discipline. Simultaneously, PQ 2015 is not only for stage design professionals but also for the public, which has transformed from recording performances to exhibiting scenes.