意义缺席的叙事游戏——评蒋峰的新作《翻案》

A Narrative Game Devoid of Meaning——A Review on Jiang Feng's Overturn

蒋峰是"80后作家"中少有的坚守纯文学理念的作家之一,在形式意义与文学实验的探索上与众不同,他在2015年发表于《长江文艺》上的新作《翻案》延续了他以往的叙事风格,但对于文学形式、故事情节、文本意义方面的突围却稍显薄弱。文章着重讨论蒋峰新作《翻案》在叙事方面的缺陷,从而在文学技术层面上引发对"80后"创作的新思考。

Jiang Feng,one of the post- 80 s writers who adhere to the concept of pure literature,shows different exploration in formal meaning and the literary experiment. His newcreation Overturn,which was published in Changjiang Literature in 2015,remains his usual narrative style,but shows defects on the breakthrough of literary form,the plot of the story,and textual meaning. This paper focuses on the discussion of the narrative defects of Overturn,hoping to trigger a newthinking on the creation of post- 80 s writers from the technical aspect of literature.