1William H. Gass, Fiction and Figures of Life,New York: Alfred A. Knopf, 1970, p. 25. Alsosee Patricia Waugh, Metafiction: The Theory and Practice of Selfconscious Fiction, London and NewYork : Routledge, p. 2.
2Lionel Abel, Metatheatre. A New View of Dramatic Form, New York: Hill and Wang, 1963, p. 60,p. 60,pp. 83-85, p. 61.
3Richard Hornby, Drama, Metadrama and Theatre, London : Associate University Press,1986, p. 32, p. 32, p. 45, p. 32, p. 104, p.117.
4Michael Worton, " Waiting for Godot and Endgame: theatre as text", The Cambridge Companion to Beckett, Shanghai Foreign Language Education Press, 2000. pp. 67 -87.
5Paul Lawley,"Stages of identity: from Krapp's Last Tape to Play", The Cambridge Companion to Beckett,pp. 88 - 105.
6Harold Bloom, The Western Canon, Riverhead Books, 1994, p. 466.
7Martin Esslin, The Theatre of the Absurd, Penguin Books, 1980, p.46, p. 74.
8Samuel Beckett, Endgame, New York: Grove Press, 1958.
9Patricia Wangh, Metafiction, p. 2, p. 2, p.29.
10Susan Sontag, Against Interpretation : And Other Essays,Picador, 2001, p. 133.
