破解传统批评困局,彰显《长恨歌》艺术魅力——评《〈长恨歌〉及李杨题材唐诗研究》

Cracked the Dilemma of the Traditional Criticism and Highlighted the Artistic Charm of Song of Everlasting Sorrow——Review on Song of Everlasting Sorrow and Li Yang's thematic study on Tang poem

因为一直未能找到主题归宿,《长恨歌》成为中国古典文学研究领域的一个难题。"讽谕说"是造成其主题研判混乱的关键因素。这源于中国独特的文化结构以及在此基础上形成的中国诗论,致使文学研究常常离开文学本位而做政治伦理道德的评判。付兴林、倪超所著《〈长恨歌〉及李杨题材唐诗研究》则基于文学本位,从语义、修辞、文献等多重角度着手,倾力揭示问题的真相,彻底否定了古今传扬的《长恨歌》主题之"讽谕说",使《长恨歌》在"讽谕说"或"双重主题说"背景下被遮蔽或淡化的丰富深沉的审美意蕴得以彰显,也回归了其艺术的有机整体性。由此观之,解决《长恨歌》主题问题的关键在于突破传统的思维和批评范式。

In the field of Chinese classical literature,a serious problem of study on Song of Everlasting Sorrow still exists as a result of undiscovered topic destination.And view of allegory is the key factor which leads to chaos of study and judgment.View of allegory,which originated from the unique cultural structure in China and Chinese Poetic based on this cultural structure,keeps the study of literature away from thing- in- itself and focuses on political and moral judgment.But Song of Everlasting Sorrow and Li Yang＇s thematic study on Tang poem,written by Fu X inglin and Ni Chao,is based on thing- in- itself of literature.They started from the perspective of semantics,rhetoric and documents to try hard to find the truth,and completely negated view of allegory on song of Everlasting Sorrow.These highlighted the rich aesthetic implication of song of E verlasting Sorrow which sheltered and weakened by View of allegory and view of dual themes,and also returned to the organic integrity of art So we can know the key to solve thematic issues of song of Everlasting Sorrowis to break the traditional thinking and critical paradigms.