摘要
在结构主义关于语言结构分析的基础上,提出重新认识汉字书写演变中自身结构要求的重要性;在结构主义关于语言和它的对象之间关系观点的基础上,提出汉字结构的形成以及汉字书法创作过程,同时是构造一个新世界的过程;结构主义提出每个时代具有决定其语言、观念,进而决定时代其它方面特征的基本深层形态,在此基础上提出不同时期的书法作品是不同时期"知识型"影响的产物。这些分析为理解汉字结构和书法提供一个新的视角。
This paper mainly analyzes Chinese character structure and calligraphy by means of structural theory. Based on the structuralanalysis of language structure,it is suggested to re- recognize the importance of self- structure demands in the evolution of Chinese character calligraphy. According to the views of structuralism about the relationship between language and its objects,it is presented that the formation of Chinese character structure and the creative process of Chinese calligraphy are also the process to construct a new world.From the perspective of structuralism,every time possesses the basic deep form which can decide its language,its conception,and then decide its features on other aspects. Consequently,it is concluded that calligraphy works of different ages are the products resulted from the " knowledge type" influence of different ages. The above analysis provides a new perspective for understanding Chinese character structure and calligraphy.
出处
《西安石油大学学报(社会科学版)》
2016年第1期60-63,84,共5页
Journal of Xi’an Shiyou University:Social Science Edition
关键词
结构主义
汉字结构
汉字书法
structuralism
Chinese character structure
Chinese calligraphy