摘要
《牡丹亭》作为汤显祖"临川四梦"中的得意之作,充分彰显了汤显祖的"至情观"。试以《关雎》为切入点来探寻其在《牡丹亭》中的意义。汤显祖通过陈最良和杜丽娘对《关雎》的不同解读,表现了陈最良的迂腐、塑造了在"情"与"礼"尖锐对立下的"有情人"杜丽娘,与此同时,通过他们对《关雎》的传统的经学解读与新的诗学解读的对立,表现了"天理"(人的道德属性)与"人欲"(人的自然属性)不可调和的矛盾,进一步彰显了汤显祖"主情反理"的思想内涵以及《牡丹亭》的时代意义。
" The Peony Pavilion",as one favorite work in Tang Xianzhu's " The Four Dreams",demonstratedhis " most emotionalview" successfully. The study started with " Guang Ju" in order to search for the significance of emotional view in his " The Peony Pavilion". Through his different interpretations for Chen Zuiliang and Du liniangin Guan Ju,Tang Xianzu described Chen Zuilian's pedantry,and created Du Liniang who was a person with love under the sharp conflict. Meanwhile,through the comparison between the traditional classic explanation and poetic interpretation of Guanju,an irreconcilable conflict between " Justice"( the moral attribute of human and " Desire"( the natural attribute of human) was presented,which indicated Tang Xianzu's ideological connotation for emotion and against rationality,as well as the era significance of " The Peony Pavilion".
出处
《西安石油大学学报(社会科学版)》
2016年第1期98-103,108,共7页
Journal of Xi’an Shiyou University:Social Science Edition
关键词
《关雎》
《牡丹亭》
陈最良
杜丽娘
经学解读
诗学解读
反理主情
" Guan Ju"
" The Peony Pavilion"
Chen Zuiliang
Du Liniang
classic interpretation
poetic interpretation
for emotion and against rationality