摘要
秦腔《狗儿爷涅槃》这出戏的好是全方位的,编、导、演、音、美各个方面都有可圈可点之处。当然,更值得一说的是该剧的导演艺术。作为新世纪杰出导演,张曼君的作品都具有鲜明的个人风格,她有着清晰的艺术追求,即始终体现、并不断深入地对戏曲现代化的推进。张曼君对戏曲叙述方式的创新在于两点,一是歌舞化的圆熟运用对现代戏"话剧加唱"的突破,二是,从"戏在演员身上"到"戏在戏剧整体"的观念转换。
Shanxi Opera " Nirvana of Gouerye" is an excellent opera in all aspects: editing,directing,performing,music,and stage art. Of course,the most significant is its directing art. As an outstanding director in new era,Zhang Manjun has a distinct artistic pursuit in her works,that is,she is continually doing and promoting opera modernization. This is reflected in her remarkable presentation in narrative content and especially narrative mode. She skillfully adopts singing and dancing in opera and pays attention to the opera as a whole.
出处
《艺术百家》
CSSCI
北大核心
2016年第1期49-52,共4页
Hundred Schools In Arts
关键词
戏曲艺术
秦腔《狗儿爷涅槃》
张曼君
戏曲现代化
叙述内容
叙述方式
歌舞化
戏剧整体
Shanxi Opera " Nirvana of Gouerye"
ZHANG Man-jun
Opera Modernization
Narrative Content
Narrative Mode
Singing and Dancing in Opera
Opera as a Whole