摘要
2015年是中国影视作品创作高产井喷之年,总体而言,现实主义影视创作稳健出新,主旋律抗战题材影视剧创作呈"回暖"之势,类型化影视创作不乏较高水准的作品,网络剧也突破了前些年的创作瓶颈,呈现出可喜的创作潜质和实力。与创作的繁荣景象相适应,2015年中国影视评论也进入了大发展阶段,发挥着"引导创作"、"提高审美"、"引领风尚"的作用,形成了主流媒体、新媒体共生互补、百家争鸣的格局。在此,文章对2015年中国影视评论的基本状况及特征、评论与创作的互动、理论研究创新等进行了梳理,力求把握发展趋势,前瞻未来走向,并反思在当前中国影视评论中存在的问题与不足。
In 2015,film creation was very productive： there appeared a lot of new realistic creation,mainstream theme film and TV plays present to get warm again,and genre films have comparatively high- proficient works,and internet plays have broken through the creation bottlenecks. Corresponding to the prosperous creation,film criticism in 2015 also entered into a grand development phase and played a function of guiding and lifting. In this paper,I will review the basic situation and features of film criticism,and the interaction between criticism and creation,theoretical innovation,and try to comprehend its development trend and its prospect and also retrospect the problems and shortcomings of film criticism.
出处
《艺术百家》
CSSCI
北大核心
2016年第1期89-93,共5页
Hundred Schools In Arts
