观念自觉与样式拓展:类型批评视域下的2015年度中国电影

Concept Self- Awareness and Type Expansion: 2015 Chinese Film from the Perspective of Genre Criticism

文章试图在类型批评视域下描绘与分析2015年中国电影的创作状况。这一年度的国产电影,一些导演依然坚守着关注现实、钟情艺术的创作立场,而更多的导演则持续着电影的工业/类型面向,探讨中国式类型电影的多种可能性,并愈来愈呈现出其本土化的类型特征。2015年纷纭复杂的中国电影场域中,类型片的创作成为一条较为清晰的脉络,类型意识的自觉与类型样式的拓展成为突出的电影现象,类型的融合趋势与类型中的"作者"表达成为其主体特征。国产类型电影自身的独特定位,其与当下中国电影生态的错综关系,是创作与市场、创作者与受众激烈拉锯的结果,凸显了当下电影格局重构过程中不同力量相互交织冲突的复杂现状。

In this paper,we try to depict and analyze the creative situation of 2015 Chinese film from the perspective of genre criticism. Throughout 2015 Chinese film,some directors still stick to a creation that pays attention to the actual life and art representation. But more directors begin to explore various possibilities of Chinese genre film. In2015,the creation of genre film becomes comparably distinct,and genre awareness and genre expansion becomes a prominent film phenomenon. The integration trend of genres and author expression become its main characteristics.The peculiar orientation of Chinese domestic genre film and its complex relation with contemporary Chinese film ecology is the result of conflict between creation and market,creators and the audiences. This highlights a compound situation in the reconstruction course of contemporary film.