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汉泰/维勒特莱和绘画离散的辩证(上)

Hanta? /Villeglé and the Dialectics of Painting’s Dsipersal(Ⅰ)
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摘要 汉泰和维勒特莱是两位法国在二战结束之后两种不同,但不完全对立的绘画实践。比起单纯的代际相似性,笔者通过对两位画家当时所面临的社会、文化、艺术环境进行分析,从另一个角度来理解两位画家的绘画艺术,探寻他们艺术风格背后深层的想通之处,进一步剖析二战后的绘画艺术。 Simon Hantai and Jacques Villegle were two kinds of painting practice in France after the World War 11, which are different,but incompletely opposite. Compared with the pure similarity of the inter-generations, the author analyzed the society, culture and art environment of two different times, in order to understand their arts from another perspective, the author explored their common points and discussed painting art after World War II.
出处 《当代美术家》 2016年第1期28-31,共4页 Contemporary Artists
关键词 汉泰 维勒特莱 战后艺术 SimonHanta, JacquesVillegl, Postwar art
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