摘要
作为展品保护的措施之一,护栏是必要的,这一点毋庸置疑。然而,在传统视野中,护栏始终是展览设计的边缘和陪衬,行业内对于如何使用护栏似乎还没有形成共识,相关论述也寥寥可数。当前,艺术设计在展览中的地位不断提高,并成为衡量一个展览优秀与否的重要标准,而护栏作为整体设计的一部分,也在一定程度上制约着观众的情感导向。因此,针对展览环境中护栏应用存在的一些问题进行探讨是很有意义的。
As one of the measures for the protection of exhibits, the barrier ropes is necessary, and this is beyond doubt. However, in the traditional view, the barrier ropes is always the edge and foil of the exhibition design. It seems that there is not a common understanding of how to use the barrier ropes in the industry, and there are few relevant discussions. At present, the status of art design in the exhibition is constantly improving, and it has become an important criterion for measuring the excellence of an exhibition. As a part of the overall design, the barrier ropes also restricts the emotional orientation of the exhibition to the audience to a certain extent. Therefore, it is meaningful to discuss some of the problems in the application of barrier ropes in the exhibition environment.
出处
《博物院》
2018年第5期120-126,共7页
Museum
关键词
护栏
展览
情感化设计
心理距离
Barrier ropes
exhibition
emotional design
psychological distance