从神话到现代——中国文学中的女娲原型

From Mythical to Modern,the Original Shape of Nüwa in Chinese Literature

从神话原型批评的角度入手 ,结合女性主义批评去解读中国文学中女性形象的深刻内涵 ,即回溯到更原始更深层的传统文化中 ,并进而寻求它的当代状态 ,可以打通神话和现代的界线 ,寻求两者之间的契合点和象征性的置换形式 ,从而揭示出蕴含其中的更深层厚重、更具概括性的典型意义。女娲原型集中体现了创造与牺牲统合的女性特质。远古时期 ,女性在社会生产和人类自身再生产两方面的优势决定了女性这一特质。男女两性作家在回溯这一原型时 ,呈现出性别上的差异。

In this dissertation, I try to interpret the profound connotations about female figures in Chinese literature by means of criticizing the original shape in myth, that is to recall more primitive and deeper traditional culture to look for its modern states so as to open up the boundary line between mythical and modern shapes,to find out their agreement and their symbolic interchangeable forms,and to reveal the more significant, deeper and more conclusive meaning in Chinese literature.The original shape of Nüwa embodied the female characteristics of creation and sacrifice. In ancient times,such characteristics were based on the advantages of the females engaging in social produce and human reproducing. Recalling this original shape, male and female writers showed sexual differences.