如何研究唱不完的史诗演唱——论史诗演唱、科学理论的特点与中国史诗理论关系

How to Study Endless Epic Singing——A Study on the Relationship of Epic Singing and the Features of Scientific Theories and Chinese Epic Theory

《格萨尔》史诗歌手经常讲,我们的格萨尔是唱不完的;蒙古史诗歌手也认为《江格尔》中有很多会死而复生的英雄。这些史诗演唱过程本身是可以唱不完的,但是每一次的史诗演唱都是以口头诗章为单位完成的,蒙古语叫b?l?g,而且这些史诗演唱,有时是以一个"b?l?g"(口头诗章)为单位构成,也有时是以多个"b?l?g"(口头诗章)为单位构成。所以,和古希腊的数学家泰勒斯通过小三角的性质来推导出金字塔的高度一样,我们通过考察《江格尔》《格萨尔》等史诗演唱中的某一些口头诗章的性质,来推导出整个《江格尔》《格萨尔》等史诗演唱的性质,甚至是通过某一些口头诗章的性质来推导出整个史诗演唱的性质。这需要建构一种可检验的、可证伪的史诗理论整体体系,建构这种可证伪的中国史诗理论目前已经成为中国学者的历史使命。

The Singers often say that The Epic-Gesar is an endless song, and it is also widely agreed among the Mongolian poets that there are many resurrected heroes in The Epic of Jangar. The practice of singing these epics is ceaseless, but the process can be measured in units of verbal poems, bolog in Mongolia, in which single or multiple brlrg are contained in an epic. As a result, in the same way as Greek mathematician Tyrus deducted the height of a pyramid with the triangle theorem, we are able to derive the property of the entire epic such as King Gesar and The Epic of Jangar from various samples of poems within them. In order for this to happen, a provable and debatable theoretical system needs to be constructed, which is the historical mission for Chinese scholars nowadays.