摘要
经过对拉班舞谱系统的理论认知与艺术实践分析得知,舞蹈训练中的人体动作表现还与人体生命科学如解剖学、生理学密切相关,以此获得对于人体科学运动的指导,从而加强舞蹈训练实践及理论教学以及舞蹈表演的过程中以人体动作为基础,促进舞者在舞蹈的训练及表演中对自身身体予以保护、或训练的伤后康复以及舞蹈动作创造可能性等等。在舞蹈艺术实践的过程中发现,当今中国现有的舞蹈发展不仅充分的应用了生理学与解剖学学科中的关键内容,同时结合西方计算机舞蹈艺术理论与实践,明确计算机舞蹈艺术的实践基础是在充分了解舞蹈动作科学性、遵循生理学与解剖学意义上的人体动作表现,促进计算机辅助的舞蹈艺术实践在中国的发展。
Through the cognitive theory and art practice of Labanotation system analyzes indicates that the development of human action, such as anatomy and physiology also with human life sciences related. Earned the two disciplines in the practice of human action continue to develop and guidance, strengthen the dance study in practice or in theory teaching and performing with process to human body as the starting point, and pay attention to the dancer in the dance training and dance performance on' body protection, injury rehabilitation, movement create etc.. To the Chinese traditional dance practice and dance thought, is a profound innovation and change. In this process, the Chinese dance combined with the practice of western multi-media art and influenced by some western ideas.The paper will research that physical dance of the modem multimedia art, included the multi-media dance works. Finally, we will analyze the fundamental question of dance body, and try to illustration that the dance and the dancer's identity in the era of multimedia art whether the conversion occurs.
出处
《内蒙古大学艺术学院学报》
2016年第1期109-116,共8页
Journal of Art College of Inner Mongolia University