摘要
通过碎片在景观设计中的视觉创意阐述碎片的美感。从历史、肌理、图案、外形、思想以及个性六个方向阐述。结论表明,在景观设计领域,碎片随处可见,小如石头,大如建筑。这些碎片是残缺的,不完美的,甚至有可能毫无价值。破碎产生也许是历史原因,也许是设计师故意而为之。设计师追求碎片特质,是追求剥蚀残损形成的古雅、拙朴、历经沧桑的残破;追求不齐之齐、不平衡的平衡、变化了的统一;追求没有工业文明的虚伪、僵硬和死板;追求有强烈的历史感和时间性的设计形式;追求日益失去的原本纯真的向往。设计师利用破碎,关注的不仅是支离破碎残缺形体的艺术魅力,还有碎片下不同的意境和内涵。
The purpose of this paper is to expound the beauty of fragments from the visual originality in landscape design. The methods we adopted in this paper cover he aspects of history, texture, pattern, shape, thoughts and personality. Conclusion is that: in landscape design field, fragments can be seen everywhere. The fragment may be small, such as a stone. It also may be huge, such as a building. Fragments may be caused by historical reasons. The reason of fragments may be historical. Some fragments might be deliberately created by designers. Designers pursued the characteristics of fragments. They pursued quaint, austere and dilapidation going through vicissitudes; pursued regular in irregular and balances in imbalances; pursued abandoning hypocrisy, stiff and rigid of industrial civilization; pursued design form full of strong sense of history and time; pursued original innocence yearning we lost increasingly. The using of fragments in landscape design concerned not only the art charming of those fragmentary, broken forms and structures, but also the artistic conception and connotation of fragments.
出处
《生态经济》
CSSCI
北大核心
2016年第3期222-227,共6页
Ecological Economy
基金
四川省教育厅2014人文社会科学基金项目"景观规划设计中的构成美研究"(640Z0700)
关键词
历史
肌理
图案
精神
造型
个性
history
texture
pattern
mental
modeling
personality