中国花鸟画原始形态岩画的动植物形象与空间艺术研究

Primitive Form of Chinese Flower-and-bird Painting: A Study of Images of Animals & Plants,and Spatial Expressions in Cliff Painting

中国花鸟画是造型艺术,也是空间艺术。人类艺术是在特定时间和空间中历史地发生发展着的流程,它不能脱离时间和空间而独立存在,人们的空间观念构成了艺术形式的基础。在中华艺术的长河中,岩画是中国艺术的重要源头之一,岩画中的动、植物形象、空间表现形式为花鸟画原始形态提供了必要的造型元素。当代人们运用考古学、人类学、美学、哲学、宗教等对岩画进行多方面的研究,所研究文献成果,使我们从绘画源头之一的岩画去审视、研究中国花鸟画的原始形态——动、植物意象空间、多维空间、自发性色彩空间等特征,对花鸟画的继承与创新有着重要的意义。

The Chinese flower-and-bird painting is the space arts as well as the formative arts. The human history of art is the development of a process that occurs at a specific time and space,from which it can not be divorced and exist independently. People’s concept of space is the basis of the artistic form. In the long river of Chinese art,cliff painting is one of the important sources. Images of animals ＆ plants,and spatial forms of expression in cliff painting have provided essential elements for the primitive form of flower-and-bird painting. Studies of the cliff painting are presently conducted from the perspectives of archaeology,anthropology,aesthetics,philosophy,and religion. The findings of research have enabled us to look closely at the primitive form of the Chinese flower-and-bird painting-features of the image space of animals and plants,the multidimensional space,and the spontaneous color space,which is significant for the inheritance and innovation of the flower-and-bird painting.