摘要
20世纪80年代末,无锡博物院(原无锡市博物馆)在"中国古代书画鉴定小组"的指导下,从江苏省扬州市文物商店收购了一幅元代大画家倪瓒的山水画《苔痕树影图》。根据作品中的画面诗文,始知该画是倪瓒为其友人江西贵溪正一道徒安素居士汪大椿而作。该绘画内容与笔墨均甚简洁,鉴藏印章较多,但并不见诸明清以来的书画著录。本文在对画面图像分析的基础上,结合对相关文献和鉴藏印玺的考辨,认为这些流传有绪的鉴藏印章是抬升该作品价值的重要原因。
The landscape painting Rock Moss and Tree Shadows (Ni Zan, Yuan dynasty, hanging scroll) was purchased by the Wuxi Museum in the late 1980s from the Yangzhou Cultural Relics Shop with advice from a team of scholars specializing in identifying Chinese calligraphy and painting. The inscription shows that this painting was a gift to Ni Zan's friend Wang Dachun, a Daoist living in Guixi, Jiangxi province. This simple painting bears many collectors' seals that have not been recorded in any books on painting since the Ming and Qing dynasties. After analyzing the painting and referring to related works and collectors' seals, the current author believes that these seals have enhanced the value of this painting.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2016年第2期118-129,共12页
Journal of National Museum of China
关键词
倪瓒
隔江山色
苔痕树影图
鉴藏印
耿嘉祚和索额图
Ni Zan
water landscape
Rock Moss and Tree Shadows
collector's seal
Geng Jiazuo
Suoetu