摘要
意象是中国当代陶艺中的一个核心美学范畴,是陶艺创作中一个十分重要的本体性因素。陶艺家的创作灵感与对生命的体悟都凝聚于意象之中,并形成了自己独特的言说方式。中国当代陶艺在形态、釉色、气韵三个维度的意象言说,体现着时代精神与审美特质,陶艺家从心与物交融的审美意象中强调对自然、生命的体悟,形成了别具特色的意象模式。它不仅传承文明,还体现了当下的社会形态与审美追求。
Image falls into a core aesthetic category of ceramics today as one of the ontological factors of great importance in the ceramic creation, for both the creation inspiration and life comprehension of ceramists are reflected in image with its unique way of expression. The image expression of the modern Chinese ceramics in such three dimensions as morphology, glazing color and artistic temperament demonstrates the spirit of the time and the aesthetic characteristics. The ceramists who aim to highlight their perception of nature and life from the aesthetic image integrated with feelings and the tangible existence enable the formation of distinctive image patterns which not only preserve the cultural heritage but also imply the current social form and aesthetic pursuit.
出处
《中国陶瓷工业》
CAS
2015年第6期47-50,共4页
China Ceramic Industry
基金
国家自然科学基金项目(71573080)
湖南省哲学社会科学基金项目(12JD31)
湖南省教育科学"十二五"规划项目(XJK015BGD033)
关键词
中国当代陶艺
意象模式
生命体悟
Chinese contemporary ceramics
image mode
the perception of life