“青齐土民”与南朝社会——以五六世纪摄山千佛岩为中心

“Qing Qi Tu Min”and the Southern Dynasty Society:The Sheshan Thousand-Buddha Grotto as a Case

南京摄山千佛岩南朝佛教造像的创建者及受众,主要是南渡的"青齐土民"及与之关系密切的士人、僧侣、齐梁皇室、摄山周边的居民等。由于信仰习惯、佛教传统等方面的差异,江南土著及早年南渡的高门贵族对其似无兴趣。以千佛岩为中心的宗教活动虽然对南朝社会影响有限,却使都城建康以北地区出现了"青冀化"的动向。在探讨各地区间佛教造像的样式关系时,应当考虑到造像创建者及受众的地域背景。

The Buddhist statues of the Thousand-Buddha Grottoes at Sheshan, Nanjing were mainly constructed and appreciated by the ＂Qing Qi Tu Min＂ and the connected intellectuals, monks, the royal fami- lies of Qi and Liang, and the local residents of Sheshan. Due to the difference in beliefand traditions, the in- digenous people of Jiangnan area and the noble or aristocratic families who fled to Jiangnan at earlier times showed little interest on them. While the religious activities of the Thousand-Buddha Grottoes had limited impact on the society of the Southern Dynasty, they led to the development trend of areas north to Nanjing to- ward ＂Qing-Ji＂. It is suggested to take the constructors and appreciators＇ geographic backgrounds into con- sideration when analyzing the correlations between Buddhist statues of different regions.